Making the Unthought Known | 23, 28, and 30 April 2021

A series of Social Dreaming matrices – presented as part of the Deepening Creative Practice programme from the Tavistock Institute.

Join us in a collective space to explore intersections and overlaps through the unconscious. Creating new meaning and making connections between dreams and our social context.

More information : https://www.socialdreaming.space/

To book (free) tickets: https://www.socialdreaming.space/tickets

Roundtable on Creative Methods | 5.03.2021 2-4 pm GMT | Zoom webinar

Image credits: Gail Ritchie: Empty Time; Fibreglass tissue and resin, 20 x 30 x 6 cm, 2020.

The Power of Creative Methods when Doing Political Analysis

Roundtable organized by the Doing IPS Transnational Hub.

When: Friday, March 5, 2021, 2-4 pm (London Time, GMT, UTC +0).

Where: Online event (Zoom). The event is free, but registration is needed: https://qmul-ac-uk.zoom.us/webinar/register/WN_PIe-ax5URTy0J6o0JbBmmA

Gathering scholars working in political science and international relations and whose work enact visual arts, performance, photography, sound, and narrative writing, this roundtable addresses the power of creative and visual methods when doing critical work in political science and international relations.

The aim of this roundtable is to discuss why it matters to include creative and visual methods when doing political analysis; how creative methods work in the interplay between research, theory, and communication strategies; what are their potentials, and what are their limits?

Speakers:

Creative Writing Workshop for Academics: Using Creative Writing as a Tool in Academic Writing

January 19, 2021 10.00 -17.00 (Amsterdam time, UTC +1), on zoom.

Workshop animated by Marie Beauchamps (Marie Skłodowska-Curie postdoc fellow, Queen Mary University of London).

This workshop makes space to explore a diverse and creative pallet of writing styles in academic writing practices.

The choices we make when we write have profound effects on the reality that we observe. Giving an account of our observations requires a multitude of styles of writing for achieving the greatest accuracy. Finding the most accurate style of writing for a particular purpose sometimes implies letting go of a seemingly neutral style of writing, instead embracing a plurality of voices, such as staging a dialogue or exploring a more poetic style. This workshop aims to explore what happens when we loosen up the frame of our habitual academic writing practice, inviting multi-layered stories to bubble up and become part of the conversation unfolding on the page.

In this one-day, interactive workshop, I will lead you through a series of hands on exercises to make you experience creative writing within your academic practice. You will practice writing scenes, working with sensory details, defining the main characters driving the story of your work, and staging conversations between them. There will be time for peer-review, and we will take time to reflect on what it takes to make space for creativity within our academic work.  

Practicalities:

  • The workshop is by now fully booked. I will develop more of these in the future, in different formats. If you are interested to receive future communication about future workshops, please leave your details here: https://forms.gle/TKayfMMo7AjqguYq6.
  • Space is limited due to the interactive nature of the workshop. I’m working on adding extra dates in the future. Information will follow in due time. You can leave your contact details via the link above to receive information.
  • A zoom link will be sent to registered participants in advance of the workshop.
  • Participants are asked to bring a text to work on. It can be an outline, a very first draft, a finished article, or everything in-between, as long as you feel comfortable working with it for the time of the workshop.

If you want to join but cannot attend the full day, please contact me (m.beauchamps@qmul.ac.uk) to discuss alternatives.