Photo © Bart Koetsier
I wrote this poem after attending the social dreaming matrix of 30 April, 2020, in the context of Tavistock Institute’s Deepening Creative Practice Programme.
"Poetry is the way we help give name to the nameless so it can be thought." –Audre Lorde
Photo © Bart Koetsier
I wrote this poem after attending the social dreaming matrix of 30 April, 2020, in the context of Tavistock Institute’s Deepening Creative Practice Programme.
I wrote this poem looking at Eugène Delacroix’s painting of Medea (see below), and then I saw women who had left their homes to join ISIS taking their children with them, and Medea became uncannily modern… Medea look! how tender the touch how in full light i hold my children tight naked my breasts engorged with milk the cave was our refuge on this sunny day the wind blowing softly they were taking a bath look! those chubby legs bare-bottomed little creatures naked innocence —i heard nothing look! how tender i hold my children tight —the sword is gold furious and fierce i held them in my flight
You take in
the tables
the light
damped atmosphere
no voices
but whispers
the boxes
rust and dust
the smell of
old paper
ancient times
coming back
after long years of
just staying
un-allowed to
speak.
Most people come
to find traces
of family members,
genealogy of blood
ties is a popular
activity, spicing the
banality of
existence with
ancient roots, hoping to
find traces of
nobility, salvaging
a life almost
passed with the
graciousness
of a name
to be added to
the tree of relatives
that no one
has known
—loneliness
has many ways to
make us move.
You are here
to uncover
but all you feel
is burden
the piles of
history
do not ease
they confuse
it’s a fuss
your hands moist
at the beginning
dry and itchy
when you leave.
A train passes
outside and you look
at traces
of someone
who made
the ministry of justice
become
the ministry of fools
Bureau duSceau
changed into
—Bureau des Sots
the sounds stay
but the orthography
becomes
critique.
You take notes
your pencil
sharpened
and you think of
the language
making up
the people —Albert
leaving again
and again, walking
into fugues
his urge
to travel
and come back
trapped in
the language
of medical
science, labels of
multiple
personality
disorder in
the order of
things.
And you start
to understand why
genealogy
does not lead to
graciousness
but to the existential
quest
to reconnect
what has been
disconnected.
Amsterdam | London, Autumn 2019